Did Kentaro Miura draw anything besides Berserk?
The short answer surprises readers who meet Miura only through Berserk's 41 volumes: yes, there is other work, but the whole of it fits on a small shelf, because from 1989 to 2021 the epic took nearly everything he had. The items divide into three groups, the early manga, the collaborations and the late short series.
The early manga are Futatabi and Noa, his 1985 teenage debut shorts, and the 1988 Berserk prototype, which is best read as Berserk's own first draft. The collaborations are the historical manga drawn with writer Buronson: King of Wolves in 1989, sending a modern historian into Genghis Khan's Mongolia, and Japan in 1992, set after Japan's sinking. All four are covered in this hub's early works entry.
The late works are the substantial ones. Giganto Maxia (2013 to 2014) is a complete one volume series drawn entirely by Miura, a mythic story of a wrestler, a gifted girl and a world of giants. Duranki (2019) he originated and directed with Studio Gaga drawing, a Mesopotamian myth adventure. Between them they answer the two questions readers ask of a one series artist: what else could he draw (Giganto Maxia) and who else could draw like him (Duranki).
Beyond manga, Miura contributed illustrations and designs around Berserk's own adaptations and novels, but he had no second career in games or film design of the kind Toriyama or Amano built, a contrast this Artists Wing keeps visible on purpose. His shelf is narrow and deep: one world, drawn for thirty years, with two short doors opening off it near the end.
