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SOJ Akira · The Music
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Who composed Akira's music?

A musical collective of around a hundred non professionals, led by a scientist. Katsuhiro Otomo asked them for two pieces and got an entire score.

Geinoh Yamashirogumi is not a band in any normal sense. Founded and led by Shoji Yamashiro, the professional name of researcher Tsutomu Ohashi, it gathers roughly a hundred members from ordinary working lives, engineers, students, teachers and scientists, devoted to recreating the traditional musics of the world with scholarly precision. Otomo was a fan, and originally approached the group for extracts from their album Ecophony Rinne. By the account preserved in the soundtrack's own reissue notes, they answered with entirely new music instead.

Otomo's brief, reported by the Japan Times, was famously loose: write a festival piece and a requiem, and otherwise do what you want. Yamashiro's reply, quoted since, was that he simply wrote totally self indulgent music he wanted to hear. When Otomo later brought the rush animation and storyboards, Yamashiro fell for the film and composed the whole score. Much of it was still written and recorded ahead of the finished picture, music first, in the order film scoring almost never works.

The sound itself is a collision nobody else could have staffed: Balinese gamelan and bamboo jegog ensembles, Buddhist shomyo and Noh chant, massed voices chanting the names Kaneda and Tetsuo as percussion, all fused with 1980s synthesisers tuned toward gamelan scales. The album came out in two forms in 1988 alone, the pure Symphonic Suite Akira and an alternate soundtrack mixing score with film dialogue, and the Suite remains the version reissued, remastered and pressed to vinyl for new listeners ever since.

Akira Remix album art by Geinoh Yamashirogumi
THE SOUND, REMIXEDAkira Remix (2020): Geinoh Yamashirogumi's own return to the score the collective built for the film under Shoji Yamashiro.

THE COLLECTIVE

A hundred day jobs, one ensemble
The Scientist Conductor
Yamashiro's doctorate is real and his field is not music. Otomo has said the group's freedom from professional film scoring habit was exactly the attraction.
Festival and Requiem
Two words of direction for one of the most celebrated scores in animation. Everything between those poles, Yamashiro filled from his own obsessions.
Names as Drums
Kaneda and Tetsuo are chanted, split into syllables and beaten into the rhythm: the characters' names become instruments in their own scenes.

TWO ALBUMS, ONE SCORE

The 1988 releases
Akira 1988 Japanese theatrical poster
Akira · 1988
Kaneda's bike, Neo Tokyo, and a score recorded largely before this imagery was finished moving.
Akira manga volume 1 Japanese edition cover
The Manga · 1982 to 1990
Otomo drew the catastrophe for eight years. The film's music had to sound as old as ritual and as new as the future at once, and it does.
How Was Akira Made? →
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THE FIRST WORD

New pages and new pieces, first.