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SOJ Terranigma · The Music
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The Music of Terranigma

Two credited composers, one secret third, and a soundtrack album older than most of its audience.

Terranigma's score is credited to Miyoko Kobayashi (also credited as Miyoko Takaoka) and Masanori Hikichi, who also designed the game's sounds. Hikichi arrived with an unusual line on his résumé: he had composed for Sega's Sonic the Hedgehog 3 the year before. Between them they wrote one of the Super Nintendo's most praised scores, the element retrospective reviewers reach for first: USgamer's Nadia Oxford, writing about the track "Underworld," called the music one of the best soundtracks on the SNES and the carrier of the game's themes of mystery and unease.

The score had a commercial life of exactly one Japanese album. Tenchi Sōzō Creative Soundtracks was released by Kitty Enterprises on October 25, 1995, five days after the game: 33 compositions from the cartridge plus six arranged tracks. No Western release followed, because no Western game release followed in America, and the album joined the long list of Terranigma objects that exist only on the Japanese side of the story.

The strangest credit took twenty-nine years to surface. In December 2024, Yuzo Koshiro, who had scored ActRaiser for Quintet, announced that research had established the laboratory theme, Beruga's laboratory, as his composition, written at producer Masaya Hashimoto's request and never credited. Kobayashi confirmed the story in reply. For the 2027 re-release, the credited composers themselves are returning to rearrange select tracks: the score's third decade opens with its authors back at the desk.

THE CREDITS

Who wrote what
Miyoko Kobayashi
Co-composer, and the score's public face in later years: she backed the 2021 fan petition beside Kamui Fujiwara and confirmed the Koshiro story in 2024. Some credits list her under her former name, Miyoko Takaoka.
Masanori Hikichi
Co-composer and sound designer. A Sega-side craftsman before Enix: his Sonic the Hedgehog 3 work in 1994 makes Terranigma a rare meeting of the two 16-bit sound cultures in one cartridge.
Yuzo Koshiro, uncredited
One track, the laboratory, composed on request and left off the credits. Koshiro's own announcement, at the game's 28th anniversary in December 2024, is the source; he admitted he remembered nothing of writing it, but recognized his own style on hearing it.

THE ALBUM

Tenchi Sōzō Creative Soundtracks
Kitty Enterprises · October 25, 1995
Thirty-three game compositions and six arranged tracks, catalog number KTCR-1344. Released the same week as the game in Japan and never reissued in the West.
The arranged six
The six arranged tracks are the album's collector hook: the only official reworkings of the score until the 2027 rearrangements were announced.
What the critics kept
Contemporary European reviews singled out the "epic soundtrack" (Superjuegos) and the "emotional music score" (Nintendo Life's retrospective) as the game's signature. Mega Fun and MAN!AC both praised the stereo sound design by name.
The ArtistThe 2027 Re-ReleaseMore from the Library
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THE FIRST WORD

New pages and new pieces, first.